1. |
Conquistador
03:11
|
|||
|
On for three, and on the scene
All the way, so fatigued
(ooh, ah, ooh)
By the way, my life will stay
Why do you do that when you get carried away?
(ooh, ah, ooh)
I can’t wait, I can’t wait, I can’t wait
To get away from you
(ooh, ah, ooh)
Written for yourself
That I wish, that you knew
See the things that make you alive
And why did you think that you couldn't lose if you tried?
(ooh, ah, ooh)
Yeah!/ Oh!
I can’t wait, I can’t wait, I can’t wait
To get away from you
(ooh, ah, ooh)
Written for yourself
That I wish
Written for yourself
I wish, that you knew
They’re coming to get you now
Oh!
|
||||
2. |
Che is Cool
02:45
|
|||
|
Shook him down
I haven’t seen much around here
When you flew to the scene, and should’ve had it then
Goes unnoticed to them of how good you’ve been
Oh no, you’d upsell them if you could now
And you missed out man you should’ve came
“I couldn’t make it I was stayin’ late: somewhere, doing something I hate”
But everything’s okay when you’re hanging out with Che
And I just really wanna do this without you
The situation’s looking fancy,
It looks like I don’t even stand a chance here
I saw you annoyed
I’m sitting on a train now
Oh you, and whatcha lookin
Singing oh maybe that you couldn’t out now
Oh you, and it’s feeling out
When I just really wanna run my mouth
And Josie’s on the scene now
When it comes down to this,
Means the most to you dearly
And changing your mind while you’re going through it
And you feel so frustrated at once
Until they tell you,
“That you might need a break” and “why can’t you just be like che?”
He’s always nifty, in walking over walls
But he’s so cool that you couldn’t be appalled
And you’ll pull me aside just to set the record straight,
On everything he does,
Rehearsed it all in my room just to get it off my plate,
But when we came face to face,
I didn’t even know what to say
I saw you annoyed
I’m sitting on a train now
Oh you, and whatcha lookin
Singing oh maybe that you couldn’t out now
Oh you, and it’s feeling out
When I just really wanna run my mouth
And josie’s on the scene now
|
||||
3. |
Urban
02:42
|
|||
|
City moving down by doubts
And written rules to say
And I’ll be in here waiting now
Thinking that you’re all okay
So go and find me and you’ve known somehow,
And she just needed someone, Fay
(Fay)
She completed on the um’s drawn out
I’ll really hide you won’t find out
And what your city could’ve done for you
So whatcha want now?
And to think of the risk, and bye the way
Normally wouldn't want you to temporarily stay with me
Left a note and walked out
“You believed in me miss, and my thanks to you, is undervalued now but I promise that I’ll see you again soon”
(Fay)
She completed on the um’s drawn out
Drawn out
I really hope you won’t find out
Find out
And what your city could’ve done for you
City could’ve done for you
I really hope you won’t find out
City could’ve done for you
|
||||
4. |
Lifestyle & the Mood
03:40
|
|||
|
Untold, I can’t tell you who we’re running from
But do you think they’d bring ice so we can bleed?
I should’ve done, oh, seen it through the back room
I shouldn’t say
So feed it through this vacuum
my way
It’s unsafe for me to bet it
my way
Seems to be something life-sized and the moon
She came to follow me and watch you speak
Oh she can!
Call me up with your lifestyle and the mood
She came to follow me and watch you speak
Oh she can!
They’ll treat you well
When you open your mouth
Just to get you to tell
Above it and so
Undone, and to refuse that they’re telling you nothing
I would presume to think that, all of them down the cell
I should’ve done, sticking to the lines you do
You do
I’ve seen them all need help
Need help
Condemn it all to soon
Too soon
I know it all too well
Seems to be something life-sized and the moon
She came to follow me and watch you speak
Oh she can!
Call me up with your lifestyle and the mood
She came to follow me and watch you speak
Yeah!
See on thee, look at you
And to think that when the lights went down
And to think that you’re leveling
But you’re confused and struggling now
|
||||
5. |
Jester
03:12
|
|||
|
It’s insane for me to write: I’ll take you to lunch
It’s funny to think they’ll do whatever you say
Somebody told me don’t think about it much
Oh settle down, you’re the king now
And this time, you realize
That you’re favourite knight, wasn’t what you thought
And I wonder, oh if what you sip
If it’s a power trip for you
So he gives up everyone’s name
He says get out of my way
And he took my arm on the side
And dragged me out of the line
Everybody knows that you took me to lunch
Stop looking at me, I think they worry ‘bout you
The use of the dungeon like a type of a settlement
Stop looking at them like they’ve got nothing to lose
I’ll tell you now once you’re better with it!
|
||||
6. |
Arnold
03:24
|
|||
|
When two or three and I’m eagerly profused
She can take about a second of my time, man
Hate to admit it but I think about it often
Out on the banks, running out of signs
questions on your mind
Why don’t you take it up with arnold
He’ll know what to say like he always does
So don’t wait
To give in
Assume that “sure you’ll be out the same”
And I, could predict everything that you'll definitely say
Oh to your future self
And you’ll get a routine, a stable lifestyle,
buy a car at 45, cause you needed something,
But, couldn't figure out what that was
They don’t need you by the way
I wouldn’t talk about it anyway but I’ll presume
They’ve been feeling
So content and I don’t get it, really
You strung along what’s right and wrong
Why don’t you take it up with Arnold and he’ll know what to tell you man
What to say like he always does
You sat there waiting for the bus rush
this machines too hard to use
Mind blank, negating for your tough love
and i’m wasted down
Unhinged, straining that youre out of luck
it’s entirely my fault
But tough lunch, I think about it much
And I just can’t wait to see you again
So don’t wait
To give in
Assume that “sure you’ll be out the same”
And I, could predict everything that you'll definitely say
Oh to your future self
And you’ll get a routine, a stable lifestyle,
buy a car at 45, cause you needed something,
But, couldn't figure out what that was
Andalé, I wish you’d assume
And maybe you look so defeated
I try to play it cool when you enter the room
Under these rules, what’s expected of?
When you’re undermined,
Couldn’t advertise,
Wouldn’t go through great lengths like he would just to honor your name
And he mixed it up in point and case
|
||||
7. |
Phones
02:53
|
|||
|
She sat down in a room
And to tell, you’re alone
You should see when you can be on your own
oh, oh, oh, oh, oh, oh, oh
He sat in all alone
I can tell that you’re gone
You should see when you can be on your own
oh, oh, oh, oh, oh, oh, oh
I can take it when you tell me i’m wrong
oh, oh, oh, oh, oh, oh, oh
Phones
Treated it outside
And I’m off
oh oh oh
Or so I’m told
To treat to it outside
When I’m on
oh oh oh
She sat down in a room
And she’s queen of the misfits
I can tell you when I’m sick of it
oh, oh, oh, oh, oh, oh, oh
He sat down in a room
And to tell that you’re at a loss
To adhere to everything on your phone
oh, oh, oh, oh, oh, oh, oh
I can take it when you tell me i’m wrong
oh, oh, oh, oh, oh, oh, oh
Phones
Treated it outside
And I’m off
oh oh oh
And or so I’m told
To treat to it outside
When I’m on
oh oh oh
Lately I’ve got a feeling
Why did they get that feeling?
Why did it have to wait?
All over in high school
Who determines if your cool?
Why did they have to stay?
Phones, I’ll leave you notes, and you might have to go
|
||||
8. |
Cusco
03:21
|
|||
|
Checkmate, you might be dead
And you fooled them in your sleep
They run to you and I got more things to see, to see
See they can’t tell you that way
And made you look inadequate
Cusco
He’s your right sheith foe
When you’re on that throne
For my broken phone
Cusco
And you’re writing so:
“Needn’t be on that throne”
Checkmate, you’re in your head
But I’ll always root for you
And times like this call for breaking down your walls
And talking about things that you normally wouldn’t want to
See my love, she wants me to stay
Wipe that look straight off your face
When your friends think of you the same
And when he/she’s out to make it up
But once you set the pace
When you’ve missed and haven’t made
Cusco
He’s your right sheith foe
When you’re on that throne
For my broken phone
Cusco
And I’m writing so:
“Needn’t be on that throne”
|
||||
9. |
Come As You Please
03:39
|
|||
|
And I’ll wait, And I’ll wait, And I’ll wait, And I’ll wait
To the day that you say: “I want nothing from it”
“And looking back, I made a mistake,
to the talk of the town they’ll do whatever it takes”
So come as you do in the way that you are
Don’t stay for me,
You’ll make it way too far
So come as you do in the way that you are
Look at me, look at you, and you’re set
And they’ll still be up in arms
And I’ll wait, And I’ll wait, And I’ll wait, And I’ll wait, And I’ll wait, And I’ll wait
And I’m faintly missing you
If/when you’re ever in a rut you can, depend on me
But come as you do, in the way that you are
And don’t wait for me, you’ll make it way too far
So come as you please in the way that you do what’s right
And I’ll wait, look at me look at you and you’re set,
And I’ll always be supporting you
So come as you please, in the way that you are
Don’t rest on me, and to think you’ve moved on
So come as you do, in the way that you’re settling now
And I’ll wait, look at me, look at you, and you’ve made it
But I'll always be supporting the cause
Lacy’s got it figured out
It’ll wait
|
||||
10. |
Loose Strung Mind
02:45
|
|||
|
Out on the stormy day, to use an ounce of energy now
Saying, everyone’s in their own space, and they don’t want to fix you now
Singing, and it’s all fun and games, until they come and dock that the fact that you know
As soon as it unfolds
And you say you got a loose strung mind
Ooh oh
And you say you use it all the time
Ooh oh
And it’s awfully enough for you
We’re bound
Be the change that you want to make
Ride around and wondering if you’re in the wrong headspace now
She said do what you can, you’re not only loyal, but you’re not afraid of being vulnerable
Oh I cannot tell you, the things you want to hear
I wish you’d known, I wish you’d known again
You’re consumed with ideas, and the King of Last Year
He went way too far
But you knew him my dear, it enabled my fears
And now we’re done for
You just blew your whole potential on just making it off
And to think that you’d eventually go making it on
You put it off now
|
||||
11. |
Predisposition
04:53
|
|||
|
First let me get your predisposition straight
And she’s so cool cause she picked up the check today
And while you were away for some time, I’m standing unaware of everything to tell you that I’m
To buy your world I’ll wait
When you work so hard, yet you can hardly pay
See the service has gotten away from me now
this tastes and looks good but man what are the odds
Do your dance it always makes me grin
When you’re loving every second your with him
A sham, move out the way I can
Oh do you feel like you are a man?
With what
And I’m trying hard to sell it out
And to think that you’re being selfless now
So look at you, a good way to lose
I think I’m leaving but I think that I’m
Do your dance it always makes me grin
When you’re loving every second your with her now
A sham, move out the way I can
Oh do you feel like you are a man?
With what
|
||||
Dudeo Perez San Luis Obispo, California
It started as an opportunity for Jackson Reynosa and Noah Boland to provide a fun, pop-rock antithesis to the heavy punk- rock scene of the Central Coast. Soon after, members Jackson Morris and Spencer Cefalu joined to complete the band's first release, Allons'y. The French title, which translates directly to "Let's Go", offers an invitation to join in on the exciting journey of Dudeo Perez. ... more
If you like Dudeo Perez, you may also like:
A new EP from Evan Myall delivers four songs packed with irresistible power pop harmonies and jangling guitars.
go to album
Cardiff band Red Telephone can't disguise the pure pop sensibility in their blistering alt-rock songs.
go to album
From Kyiv, Ukraine, Love'n'Joy deliver indie pop bursting with joy—nervy guitars and irresistible melodies.
go to album
Are You Glad I'm Gone? / Nothing Else
by Trash Man
Two new songs from the Nashville musician (and drummer in Sad Baxter) reveal a talent for rock hooks and anthemic power pop aesthetics.
go to album
Rising Philadelphia band balance oversized pop punk hooks with vivid, intimate lyrics, presenting a raw, honest vision of guitar music.
go to album
The Australian indie-pop duo's latest album is centered on strong friendships and common struggles.
go to album
Serrated alt-rock from this Washington group hits the perfect combo of big riffs and bigger hooks.
go to album
